![]() The thin-set usually takes 24 hours to dry, be sure to avoid putting any pressure on the tiles during this time. It is easier to clean the thin-set when it’s wet, so be sure to clean the thin-set from the floor or wall where there is no tile at the end of the day because after drying, it will become the part of the surface and will make an uneven or bumpy surface. So you should be very careful when placing the spacers between the tiles and make sure to clean any excessive amount of thin-set from the tiles and in between the tiles. The spacers that are placed between the tiles should be able to be removed after the thin-set dries. Taping tiles with the painter’s tape is also recommended until the thin-set settles the tiles. Sometimes, at the corners or at the end of the row, the general tile size cannot be fitted, so it will need to be cut accordingly. For this purpose, you can use plastic spacers. When placing the tiles, it is important to maintain an equal distance between all the tiles. Repeat the procedure and complete the whole row. Otherwise, mix more thin-set to make it hard enough so that it can hold the tiles still. If there is still 80-90 % of thin-set coverage on the back of the tile, then your thin-set is ready. After placing the first tile, pull it back using a trowel and check the back of the tile. Move the tile back and forth a bit to ensure that it settles. After the thin-set is prepared, apply it on the back of the tile and the targeted area and push the tile on the wall. The thin-set usually takes 30 to 40 minutes until it hardens and is ready to use. Carefully mix the thin-set according to the instructions. The first step in tiling is to prepare the thin-set. If you are tiling in wet conditions where moisture can affect your tiles, then seal the plaster with PVA before tiling. ![]() If the plaster on the surface is old, make sure there is no loose plaster or cracks on the surface, and then you can start your tiling project. Freshly applied plaster usually takes 4 weeks to dry. Let any fresh plaster dry, and then begin tiling. Mark any cracked plaster on the surface and patch them with fresh material. Also, scrub the surface with sandpaper to allow for a strong grip on the adhesive. To prepare for tiling, firstly, remove any loose paint and wallpaper from the surface. The maximum weight skimmed plaster can bear is 4.1 psi, so make sure that the tiles you choose are a suitable choice and will be able to maintain their grip over time. For this purpose, gently apply pressure on the plaster surface to see if the surface could crumble. Step 1: Testing the surfaceīefore installing tiles on the plaster surface, you need to test if the plaster surface will support the tiles properly.To tile over the plaster surface successfully, you need to follow the steps mentioned below. Installing plaster over the surface prepares it for laying tiles more efficiently and effectively. Prepare the surface and get rid of any loose plaster or wallpapers and repair any areas that need patching.Īpplying plaster before tiling is becoming increasingly popular because of its durability and strength. In general, the first step for tiling over plaster surfaces is to test the surface to ensure it can bear the weight of the tiles. ![]() 9 Tiling on plaster skim, some helpful tips: Tiling over plaster, some helpful tips:.8 Tiling on old plaster, some helpful tips:.7 Tiling on new plaster, some helpful tips:. ![]() 6 Tiling on damp plaster, some helpful tips:.5 Priming plaster before tiling, some helpful tips:.4 Plastering a wall for tiling, some helpful tips:.3 Do you plaster before tiling? Some helpful tips:.Step 1: Examine the plaster and prepare the surface.2 Tiling a plastered wall, some helpful tips:.1 Tiling over plaster, some helpful tips:. ![]()
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![]() ![]() The plaster monument was thrown in a mud pit in Marina Park, along with other works from the Exposition. Location Īfter the Panama–Pacific Exposition closed, plans to place a bronze version of the statue on the Pacific Palisades were halted due to scarce resources during World War I. This large plaster version of the work was displayed on an eight-foot pedestal at the 1915 Panama–Pacific International Exposition in San Francisco and was awarded the gold medal, garnering national attention. With the assistance of his wife, Laura Gardin Fraser, he created a two-and-a-half-times life-size model of the statue in plaster. Over the years, Fraser created several renditions of the model, trying to perfect it. The original model was exhibited at a competition sponsored by the American Art Association, winning first place. The design was inspired by a piece of art Fraser saw at the 1893 Columbian Exposition. Design and construction Plaster sculpture of End of the Trail exhibited at the Panama–Pacific International Expositionįraser created the first model of End of the Trail in 1894 at the age of 17. Another work by Fraser devoted to Native Americans is called The Buffalo Prayer. Asked to create something uniquely American, Fraser thought the buffalo and American Indian were integral parts of American culture and history. His design for the Buffalo-Indian Head nickel appeared on the five cent coin from 1913 to 1938. His memoirs state, "as a boy, I remembered an old Dakota trapper saying, 'The Indians will someday be pushed into the Pacific Ocean.'" Later he stated "the idea occurred to me of making an Indian which represented his race reaching the end of the trail, at the edge of the Pacific." įraser made several other works related to Native Americans. Background įraser took inspiration for End of the Trail from his experiences as a boy in the Dakota Territory. ![]() ![]() However, Fraser intended for the work to be a critique of the United States government. The work has been criticized for the manner in which is depicts Native Americans as a dying race. The 1915 version of the statue is now in the National Cowboy Hall of Fame and Western Heritage Museum. The sculpture gained national popularity after being presented at the 1915 Panama–Pacific International Exposition. įraser felt a connection to Native American culture, which influenced the creation of the End of the Trail. The main figure embodies the suffering and exhaustion of people driven from their native lands. The statue is a commentary on the damage Euro-American settlement inflicted upon Native Americans. The man in the statue is based on Seneca Chief John Big Tree, and the horse was adapted from one in another work, In the Wind. The wind blowing the horse's tail suggests they have their backs to the wind. He is hanging limp as his weary horse with swollen eyes comes to the edge of the Pacific Ocean. The sculpture depicts a weary Native American man, wearing only the remains of a blanket and carrying a spear. Fraser created the original version of the work in 1894, and he subsequently produced numerous replicas in both plaster and bronze. The End of the Trail is a sculpture by James Earle Fraser. ![]() ![]() ![]() The fair, which has been running for more than 10 years, offers fair-trade foodstuffs and the chance to make gift donations to charities, among other things. And Jennifer Knepper, a 39-year-old nurse, started an “alternative-gift fair” in Lancaster, Pennsylvania, where she lives. In 2015, the Orzechowskis, a family living in Washington, D.C., started taking an annual trip together, with their relatives funding different aspects of the vacation (such as admission to a museum in the city they’re visiting) instead of buying physical gifts. “That goes very poorly with a focus on buying things and merrymaking.”Īs families have reconsidered their gift-giving practices, some of them have gotten creative about what to do instead. “Advent is supposed to be this quiet, somber, reflective period during which you’re preparing to celebrate the incredible thing that was God sending his son to Earth,” Tricia says. ![]() They are Catholic, don’t exchange gifts with one another for Christmas, and give only small presents to their parents. Tricia and Alex Koroknay-Palicz live in Hyattsville, Maryland, with their 20-month-old daughter. ![]() Some people also consider gift-giving a distraction from the religious significance of the holidays. “After our family reflection on this, the answer has been clear: Ourselves, we bring more of ourselves.” She told me that her family’s Christmas-morning plan is to gather around the tree as in years past, whether there are presents underneath it or not. “When we remove material purchasing and consumption from the table, we are forced to question what we are bringing to instead-individually and collectively,” she said. Raagini Appadurai, a 26-year-old educator and social-justice advocate living in Toronto, told me that her family-her two sisters, her parents, and herself-made a no-gifts pact this year. At the very bottom of the list was skipping gifts entirely, which received a tepid 13 percent approval rating. Those surveyed rated other alternatives-giving homemade gifts, regifting, or buying things secondhand-as much less enticing. When presented with a slew of options that might lessen their financial stress, respondents were most willing to entertain the idea of giving gifts only to their immediate family or of seeking out coupons and sales-64 percent and 57 percent, respectively, said those courses of action would be acceptable. ![]() Read: The Christmas dilemma: How much of a kid’s wish list should parents oblige?Īccording to a recent survey from the personal-finance website Bankrate, almost half of Americans feel pressured to spend more than they’d like to on holiday gifts, with parents especially likely to feel put upon. Above all, they want to spend less money on things and more time with one another. No single cause unites these opt-outers, but a few motivations regularly pop up: They want to resist consumerism, restore the religious focus of the holidays, and/or avoid harming the environment. Hund is one of the many holiday celebrants who have been questioning and revising their long-held gift-giving traditions-or, in some cases, scrapping them altogether. “The first year I thought I would be sad about it,” she said, “and I really wasn’t.” Plus, they get meaningful presents through the regifting agreement, such as the Led Zeppelin record Hund received from her dad, purchased when he was in high school. Now, with the extra time she and her family have, they paint pottery together, cook, go on runs, and play cards. “I just remember coming home and being super stressed and last-minute trying to run out to the mall or looking online and seeing what I could get shipped in like three days,” said Hund, who’s 35 and works in tech in San Francisco. Hund and her family downscaled their gift-giving six years ago after considering how much work Christmas shopping was. “And my 18-month-old son got put in category too, so it’s small humans and small animals.” “The rules are basically a regift for the human and then $10 for the pet,” Hund told me. This year, Heather Hund and her family will gather in West Texas on December 25 and solidify a new Christmas tradition, in which each relative is randomly assigned to give a gift to another family member and to a house pet. ![]() ![]() ![]() Then you have your dirty water bag that doubles as your water reserve bag for extra carry if you need. What I've found to work the best is having a smartwater bottle that I transfer clean water into (I like to bring a second smaller bottle or platy as well) and have a 2L platy (or CNOC) to gather dirty water and filter it through the squeeze into the bottle.Įssentially you have your easy access drinking vessel thats clean and filterless. it also means you can't make drink mixes as your water is stored dirty. You also keep having to crack the seal to make the bottle not crumple up from no air backflow. Putting the filter directly on the bottle is kind of cumbersome as it makes a 1L smartwater feel like a harpoon. r/Hammocks, /r/HammockCamping, and /r/ULHammocking Trail Specific Subs /r/PacificCrestTrail /r/AppalachianTrail /r/CDT /r/JMT Related Subsįor buying, selling, and trading ultralight backpacking gear. Weekly Thread - View only the Weekly Discussion threads.īest Of The Sub - View only the "best of" threads. Trails - View only trail related threads. Join us and ask yourself the question: Do I really need that? Subreddit Rules Resources /r/Ultralight's Wiki Knowledge Base Ultralight Gear Vendor List Ultralight and Ultra-cheap Gear List Common /r/Ultralight Abbreviations Leave No Trace Principles Itn'l Gear/Food Substitutions Pack Weight Tools How To Ask For A Pack Shakedown Lighterpack /r/Ultralight Crowd-Sourced Databases Weight Submission Form View The Gear Database! Pack List Database Subreddit Filters Read more details on each of these water bottles, written here.R/Ultralight is the largest online Ultralight Backcountry Backpacking community! This sub is about overnight backcountry backpacking, with a focus on moving efficiently, packing light, and generally aiming at a sub 10 pound base weight. Ultralight & packable water storage for backpacking: Platypus Platy Bottle.Unique water bottle with smart collapsible design: Que Collapsible.Best filter bottle: Lifestraw Go Filter.Insulated water bottle that comes with accessories: Takeya Actives Insulated.Best water bottle for ultralight backpacking: Glaceau Smartwater.Ultralight, packable & affordable soft bottle: Platypus DuoLock SoftBottle.Ergonomic water bottle that helps keep track of daily hydration: Thermos Intak. ![]()
![]() ![]() The work will often imply that Drill Sergeant Nasty is right: abrasive though he may be, everything he does is for your own good and everyone will come out the better for it (or at least, better able to survive Hell). schools from 1956 to 2013, was primarily a milestone of fitness for the military might have contributed to this stereotype.) ![]() (The fact that the Presidential Fitness Test, which was used as the benchmark for fitness in U.S. He's often a former drill instructor who has trouble hanging up the chevrons. On kids' TV, this same character is a gym teacher, coach, or another authority figure, but not necessarily a Sadist Teacher. Lee Ermey (who actually was a Marine drill instructor for two years) or a Scary Black Man (see: Louis Gossett, Jr.). Eventually, you'll hate his guts, which is usually exactly how he wants you to feel. He tends to use Sound Off in drills a lot. He will make you drop down and give him 20, 50, or whatever arbitrary number he comes up with. He makes you scrub floors with toothbrushes. He carpet bombs your ears with profanity. The only training method that Drill Sergeant Nasty knows is The Spartan Way. ![]() In a way, he's the military trainee's equivalent of a Mean Boss, but there's seldom any other type. But often, he seems to revel in the breaking a lot more than the building. The more you hate him, the more you will learn! So he gives you Training from Hell to break you down so he can build you back up. RISE AND SHINE, MAGGOTS! YOU AREN'T WORTHY OF CALLING YOURSELVES TROPERS UNTIL I'M THROUGH WITH YOU!ĭrill Sergeant Nasty's job is simple - turn the bunch of new recruits he's been charged with training into lean, mean fighting machines. Gunnery Sergeant Hartman, Full Metal Jacket ![]() ![]() ![]() ![]() assessing claims resulting in the validation and assignation of an element discovery.defining the structure of a temporary name and symbol.establishing the criteria for a new element discovery.In particular, IUPAC is directly involved in the following: IUPAC involvement covers various aspects of the table and data that it unveils, and several reports and recommendations, some quite recent, attest of that input. – Access at a full resolution of this Table as PDF (made available by King’s Center for Visualization in Science).īy virtue of its work in relation with the chemical elements, IUPAC can dispense a periodic table that is up-to-date. – Review the latest IPTEI element-by-element review including a chart of all known stable and radioactive isotopes for each element and examples practical applications of isotopic measurements and technologies – Explore the interactive version at /isotopes-matter (or see release) – Read “Atomic Weights: No Longer Constants of Nature”, Chem Int 33(2), 10–15 (2011), IUPAC Periodic Table of the Elements and Isotopes (IPTEI) for the Educational Community Coplen, Peter Mahaffy, Ian Mills, Roberto Marquardt, and more. Leigh, Sigurd Hofmann, Eric Scerri, Juris Meija, Norman E. See PAC (AOP ) for full details or visit Commission II.1 ĭownload the PDF version (letter size or A4) or A3 (PDF) or see earlier versionsĬheck out SPECIAL Chem Int Jan 2019 - International Year of the Periodic Table (IYPT) - with contributions by Jan Reedijk, Natalia Tarasova, G.J. For elements that lack isotopes with a characteristic isotopic abundance in natural terrestrial samples, the mass number of the nuclide with the longest confirmed half-life is listed between square brackets. The latest release of the Periodic Table (dated ) includes the most recent abridged standard atomic weight values released by the IUPAC Commission on Isotopic Abundances and Atomic Weights ( CIAAW), compiled as part of the 2021 Table of Standard Atomic Weights 2021. ![]() ![]() The first Underworld movie, in which vampires and werewolves have gun battles in an unnamed metropolis, was an aesthetically influential hit for Screen Gems, affecting a shiny-pleather imitation of Matrix sleekness and obviously inspiring the middling likes of Priest and Legion. In celebration of that spirit, and the studio’s upcoming birthday, here are the 15 best movies from throughout its 25-year history, judged on both individual merit and their place within the Screen Gems identity: The Pope’s Exorcist isn’t one of the studio’s very best movies, but its flashes of craft amidst silliness and mercenary franchise-baiting are representative of the Screen Gems spirit. Now even an Oscar winner and household name like Russell Crowe is willing to cheerfully motor through a goofy Screen Gems exorcism movie on a scooter, having so much fun that he willingly implies that there could be nearly 200 more adventures to come. Talented directors have made pit stops here, other figures have made Screen Gems a default home Milla Jovovich would have a career either way, but at Screen Gems, she’s a star. Its first film was the John Sayles thriller Limbo its second was the starry terrorism potboiler Arlington Road. But Screen Gems has carved out an identity for itself – there is certainly an easily recognizable “Screen Gems movie” vibe and The Pope’s Exorcist very much has it – while also throwing some genre curveballs. And, yes, plenty of low-rent remakes of classics like Carrie, Straw Dogs and The Stepfather. Indeed, while many Screen Gems movies involve vampires, werewolves, exorcisms, and killer angels, their 25 years’ worth of relatively quiet middle-movie production also dabbles in other areas bigger studios have traditionally overlooked or disrespected when it was expedient to do so: Thrillers driven by Black talent, like Takers or The Perfect Guy films by women directors, like Jane Campion’s maligned-then-reclaimed In the Cut youth-culture pictures like Stomp the Yard or Easy A romantic comedies like About Last Night or Friends with Benefits sorta-musicals like Burlesque and Country Strong. In other words, Screen Gems makes middle movies – exactly the kind of not-quite-low-budget fodder that so many studios have gleefully abandoned in the pursuit of tentpoles. Screen Gems was later resurrected as a genre arm for Sony, making movies typically bigger in scale than Sony Classics but not as big-ticket as Columbia or TriStar. A series of very ’80s mergers and acquisitions, including a purchase by the Coca-Cola Corporation and a sale to then-separate Tristar, which brought Columbia and the Screen Gems name to their current home: As divisions of the Sony corporation. Slightly over a decade later, Screen Gems became Columbia’s entry into television production, where it flourished for 25 years before the brand was rechristened Columbia Pictures Television. Later, Columbia Pictures distributed cartoons from Winkler Pictures, then purchased a stake in the company, before finally acquiring it outright in 1939. Winkler, who worked with Walt Disney before he started his own outfit. It was over a century ago that the company began as an animation studio founded by Margaret J. Though Screen Gems celebrates that quarter-century anniversary in December, its origins stretch back far further than 1998. ![]() ![]() ![]() Anderson built, a clearinghouse for action, horror, action-horror, action-fantasy, action-fantasy-horror, and other movies that weren’t getting much respect when the division’s current incarnation emerged nearly 25 years ago. But genre fans should know Screen Gems well, even if they’ve come to dread it: This is the house that Paul W.S. It’s arguably the least immediately recognizable studio logo under the Sony umbrella, after the classic Columbia Pictures, the ’80s/’90s mainstay TriStar (it’s the one with the flying-horse logo), and arthouse institution Sony Pictures Classics. Both of those series appear to be in a holding pattern maybe it’s up to Russell Crowe to keep the Screen Gems brand alive.Ĭasual moviewatchers would be forgiven but not having much brand association with Screen Gems. (The characters all but say “one down, 199 to go.”) This might sound like empty, nutso bravado, and it probably is, but then again, The Pope’s Exorcist comes from Screen Gems, a Sony subsidiary that has produced seven Resident Evil movies and five Underworld movies, among other mashed-up monsters. The Pope’s Exorcist closes with an exciting brazen implication that it may be the first of 200 movies in which an exorcist played by Russell Crowe will investigate pockets of hell-based activity here on Earth. ![]() ![]() ![]() You will be required to choose whether you would take the cash or annuity for a jackpot win when you buy your ticket, although you can change your mind either way within 60 days of claiming the prize. You will also need to provide a copy of a valid form of photo ID, such as a driver’s license, and a document that verifies your social security number, such as a pay stub. If you win $100,000 or more, you will be required to visit the Kentucky Lottery headquarters.įor claiming prizes by mail, you will need to send your winning ticket and claim form to the following address: To claim more than $5,000 and up to $99,999, go to either the regional office or the Louisville headquarters. For amounts between $600 and $5,000, you can either submit a claim form, visit an authorized cashing agent, the regional office in Lexington or the Kentucky Lottery headquarters in Louisville. You can claim any prize up to $600 from a licensed Kentucky Lottery retailer. You can find the addresses of both offices below. Prizes between $50,000 and $99,999 must be claimed in person at a regional office or at the Kentucky Lottery headquarters, and prizes of $100,000 can only be claimed at the Kentucky Lottery headquarters. A check will then be mailed to the address on file for your online account.Īlternatively, you can claim a prize between $600 and $49,999 at the regional office in Lexington or at the Kentucky Lottery headquarters in Louisville. You can also claim awards of up to $49,999 online by logging in to your account, providing your Social Security number and stating whether you are a U.S. Prizes of $600 or less will be automatically paid into your online account. The claims process depends on how much you have won, and also on whether you played online or in-store. ![]() You have 180 days to claim Powerball prizes in Kentucky. You can only use tickets bought within the last 30 days for this. If you want a Quick Pick, just select the appropriate section of your playslip or ask the store clerk.Īnother option in Kentucky is to ‘Play it Again’, where you can just hand in a ticket from a previous draw and the exact same selections will be used for future games. You can also play in-store by filling out a playslip at any licensed retailer, and you can enter up to 26 consecutive drawings in advance. Hit ‘Add to Cart’ when you are happy with your selections and then ‘Checkout’ to complete your purchase. Finally, decide whether you want to add Power Play and select how many drawings you would like to enter, up to a maximum of 26. You can add more plays if you want to enter more than one line of numbers. Enter your numbers into the blank circles or press Quick Pick to have a random selection generated for you. Once you’ve done that, just select the Powerball option from the list of available games. To play online, set up an online account with the Kentucky Lottery and deposit funds. You can take part online or by visiting any licensed Kentucky Lottery retailer. You have to be at least 18 years of age to play. ![]() ![]() ![]() Today, I have KeyLab 61 Essential on my desk. It’s the most un-user friendly / poor UX experience of my life! I fail to see where the ‘User 1’ and ‘User 2’ of ‘Arturia Device Memories’ comes in when navigating the Cubase interface.Īny tips would be much appreciated, if you have them at this point. …and the they’re just not controlling anything However - the address only changes to ‘144’ for any knob or fader fiddling with. ![]() I understand each knob and fader has it’s own ‘MIDI address’ this address should be assigned to the ‘track quick controls’ and ‘VST quick controls’ when fiddled, with learn ticked.I then I tried to do the ‘learn’ process in ‘track quick controls’ and ‘VST quick controls’ - ticking learn and then fiddling the appropriate knobs or faders on the controller.Well it’s not it is it? - because nothing is mapped yet!! ![]() However there’s no way of knowing if the files are assigned to the user numbers once ‘Store To’ is clicked I took this to mean 'select the ‘KLE-TRK-QC…’ file in the ‘local template’ window / then select ‘USER 1’ in the ‘Device Settings’ window / and then click ‘Store To’ (and then follow the same process for the next file but with User 2)
![]() ![]() ![]() Session Overdubs: Jun 19, 23, 24, 1967 Studio : EMI Studios, Abbey Road Session Recording: Studio : Olympic Sound Studios, London Paul McCartney : Backing vocals, Bass, Double bass Ringo Starr : Drums John Lennon : Banjo, Harpsichord, Vocals George Harrison : Backing vocals, Guitar, Violin George Martin : Piano, Producer Geoff Emerick : Recording engineer Eric Clapton : Backing vocals, Handclaps Mike McCartney / McGear : Backing vocals, Handclaps Mal Evans : Backing vocals, Handclaps Sidney Sax : Violin Pattie Boyd / Harrison : Backing vocals, Handclaps Marianne Faithfull : Backing vocals, Handclaps David Mason : Trumpet Lionel Ross : Cello Eddie Kramer : Recording engineer Mick Jagger : Backing vocals, Handclaps Patrick Halling : Violin Eric Bowie : Violin John Ronayne : Violin Jack Holmes : Cello Rex Morris : Tenor saxophone Don Honeywill : Tenor saxophone Stanley Woods : Trumpet Evan Watkins : Trombone Harry Spain : Trombone Jack Emblow : Accordion Keith Richards : Backing vocals, Handclaps Jane Asher : Backing vocals, Handclaps Keith Moon : Backing vocals, Handclaps Hunter Davies : Backing vocals, Handclaps Gary Leeds : Backing vocals, Handclaps Mike Vickers : Conductor Guy Massey : Remastering Steve Rooke : Remastering Allan Rouse : Project co-ordinator Rose Nash : Backing vocals, Handclaps Session Mixing: Sep 28-29 & Nov 06 & 17, 1967 Studio : EMI Studios, Studio Two, Abbey Road Session Orchestra overdubs: Studio : EMI Studios, Studio One and Two, Abbey Road Session Overdubs: Studio : EMI Studios, Studio Two, Abbey Road Session Recording: Studio : EMI Studios, Studio One, Abbey Road Paul McCartney : Bass, Tambourine Ringo Starr : Drums John Lennon : Electric piano, Mellotron, Vocals George Harrison : Lead guitar George Martin : Conductor, Producer Geoff Emerick : Recording engineer Jack Rothstein : Violin Ken Scott : Recording engineer Sidney Sax : Violin Peggie Allen : Backing vocals Wendy Horan : Backing vocals Pat Whitmore : Backing vocals Jill Utting : Backing vocals June Day : Backing vocals Sylvia King : Backing vocals Irene King : Backing vocals G Mallen : Backing vocals Fred Lucas : Backing vocals Mike Redway : Backing vocals John O'Neill : Backing vocals F Dachtler : Backing vocals Allan Grant : Backing vocals D Griffiths : Backing vocals J Smith : Backing vocals J Fraser : Backing vocals Ralph Elman : Violin Andrew McGee : Violin Jack Greene : Violin Louis Stevens : Violin John Jezzard : Violin Jack Richards : Violin Lionel Ross : Cello Eldon Fox : Cello Bram Martin : Cello Terry Weil : Cello Gordon Lewin : Clarinet Neil Sanders : Horn Tony Tunstall : Horn Morris Miller : Horn Guy Massey : Remastering Steve Rooke : Remastering Ray Thomas : Backing vocals (?) Mike Pinder : Backing vocals (?) Allan Rouse : Project co-ordinator The Mike Sammes Singers : Backing vocals ![]() |
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